Lesson 5
The Cone of Experience
Edgar Dale
(1900-1985)
-
Served on The Ohio State University faculty from
1929 until 1970. He was an internationally renowned pioneer in the utilization
of audio-visual material in instruction.
-
Professor Dale’s most famous concept was called
“Cone of Experience”, a graphic depiction of the relationship between how
information is presented in instruction and the outcomes for learners.
ABSTRACTION
The Cone of Experience is a visual model, a pictorial device
that presents bands of experience arranged according to degree of abstraction
and not degree of difficulty. The farther you go from the bottom of the cone,
the more abstract the experience becomes.
Dale (1969) asserts that:
The pattern of arrangement of the bands of experience is not
difficulty but degree of abstraction – the amount of immediate sensory
participation that is involved.
Does the Cone of Experience mean that all teaching and
learning must move systematically from base to pinnacle, from direct purposeful
experiences to verbal symbols?
Dale (1969) categorically says:
No. We continually shuttle back and forth among various
kinds of experiences. Everyday each of us acquires new concrete experiences –
through walking on the street, gardening, dramatics, and endless other means.
Such learning by doing, such pleasurable return to the concrete is natural
throughout our lives – and at every age level. On the other hand, both the
older child and the young pupil make abstractions every day and may need help
in doing this well.
What are the bands of experience in
Dale’s Cone of Experience?
Direct purposeful
experiences – These are the first hand experiences which serve as the
foundation of our learning. We build up our reservoir of meaningful information
and ideas through seeing, hearing, touching, tasting and smelling.
Contrived experiences
– In here, we make use of a representative models or mock ups of reality for
practical reasons and so that we can make the real-life accessible to the
student’s perceptions and understanding.
Dramatized
experiences – By dramatization, we can participate in a reconstructed
experience, even though the original event is far removed from us in time.
Demonstrations–
It is a visualized explanation of an important fact, idea or process by the use
of photographs, drawings, films, displays, or guided motions.
Study trips –
These are excursions, educational trips, and visits conducted to observe an
event that is unavailable within the classroom.
Exhibits – These
are displays to be seen by spectators. They may consist of working models
arranged meaningfully or photographs with models, charts, and posters.
Television and motion
pictures – Television and motions picture can reconstruct the reality of
the past so effectively that we are made to feel we are there.
Still pictures,
recordings and radio – These are visual and auditory devices which may be
used by an individual or a group. Still pictures lack the sound and motion of a
sound film. The radio broadcast of an actual event may often be likened to a televised
broadcast minus its visual dimension.
Visual symbols -
These are no longer realistic reproduction of physical things for these are
highly abstract representations. Ex: charts, graphs, maps, and diagrams.
Verbal symbols –
They are not like the objects or ideas for which they stand. They usually do
not contain visual clues to their meaning. Written words fall under this
category. It may be a word for a concrete object (book), an idea (freedom or
speech), a scientific principle (the principle of balance, a formula (e=mc2)
Jerome S. Bruner
-
Harvard
psychologists, he presents a three-tiered model of learning where he points out
that every area of knowledge can be presented and learned in three distinct
steps.
§
First through a series of actions ENACTIVE
§
Second
through a series of illustrations ICONIC
§
Third
through a series of symbols SYMBOLIC